Charlie Musselwhite

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Born:

Jan 31, 1944 in Kosciusko, Mississippi

Representative Songs:

"Trouble No More," "I Don't Play, I'll Be Your Man Some Day," "Help Me"

Representative Albums:

Stand Back! Here Comes Charley Musselwhite's Southside Band,

Tennessee Woman, In My Time

Genre: Blues

Active: '60s - 2000s

Instruments: Vocals, Harmonica, Guitar

Biography

Harmonica wizard Norton Buffalo  can recollect a leaner time when his record collection had been whittled down to only the bare essentials: The Paul Butterfield Blues Band  and Stand Back! Here Comes Charley Musselwhite's South Side Band. Butterfield and Musselwhite will probably be forever linked as the two most interesting, and arguably the most important, products of the "white blues movement" of the mid- to late '60s -- not only because they were near the forefront chronologically, but because they each stand out as being especially faithful to the style. Each certainly earned the respect of his legendary mentors. No less than the late Big Joe Williams  said, "Charlie Musselwhite is one of the greatest living harp players of country blues. He is right up there with Sonny Boy Williamson , and he's been my harp player ever since Sonny Boy got killed."

It's interesting that Williams  specifies "country" blues, because, even though he made his mark leading electric bands in Chicago and San Francisco, Musselwhite began playing blues with people he'd read about in Samuel Charters ' Country Blues -- Memphis greats like Furry Lewis , Will Shade , and Gus Cannon . It was these rural roots that set him apart from Butterfield , and decades later Musselwhite began incorporating his first instrument, guitar.

Born in Kosciusko, MS, in 1944, Musselwhite's family moved north to Memphis, where he went to high school. Musselwhite migrated north in search of the near-mythical $3.00-an-hour job (the same lure that set innumerable youngsters on the same route), and became a familiar face at blues haunts like Pepper's, Turner's, and Theresa's, sitting in with and sometimes playing alongside harmonica lords such as Little Walter  Shakey Horton , Good Rockin' Charles edwards, Carey Bell , Big John Wrencher , and even Sonny Boy Williamson . Before recording his first album, Musselwhite appeared on LPs by Tracy Nelson singer and John Hammond  and dueted (as Memphis Charlie) with Shakey Horton  on Vanguard's Chicago/The Blues/Today series.

When his aforementioned debut LP became a standard on San Francisco's underground radio, Musselwhite played the Fillmore Auditorium and never returned to the Windy City. Leading bands that featured greats like guitarists Harvey Mandel , Freddie Roulette, Luther Tucker , Louis Myers  Robben Ford ford, Fenton Robinson  and Junior Watson

Musselwhite played steadily in Bay Area bars and mounted somewhat low-profile national tours. It wasn't until the late '80s, when he conquered a career-long drinking problem, that Musselwhite began touring worldwide to rave notices. He became busier than ever and continued releasing records to critical acclaim. His two releases on Virgin, Rough News  in 1997 and Continental Drifter  in 2000, found Musselwhite mixing elements of jazz, gospel, Tex-Mex, and acoustic Delta blues. After signing with Telarc Blues in 2002, he continued exploring his musical roots by releasing One Night in America america-blues-album. The disc exposed Musselwhite's interest in country music with a cover version of the Johnny Cash  classic "Big River," and featured guest appearances by Kelly Willis  and Marty Stuart . Sanctuary, released in 2004, was Musselwhite's first record for Real World.

~ Dan Forte & Al Campbell, All Music Guide